English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
384
Partitions
Numériques
765
Librairie
Musicale
2 082
Matériel
de Musique
317
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
160
PIANO & CLAVIERS
Piano seul
81
Piano, Voix
38
Piano, Voix et Guitare
16
Piano Facile
10
Orgue
10
Instruments en Do
5
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
Orgue, Trompette (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Concertina
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
15
Ligne De Mélodie, (Paroles) et Accords
6
Guitare notes et tablatures
4
Ukulele
2
Paroles et Accords
2
Banjo
1
Orchestre à Plectres
1
Basse electrique
1
2 Guitares (duo)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
43
Chorale 3 parties
11
Chorale TTBB
7
Chorale 2 parties
6
Chorale SSAA
6
Chorale Unison
4
Voix duo, Piano
2
Voix Soprano, Piano
2
Voix basse, Piano
1
Voix duo
1
Voix Alto, Piano
1
Voix moyenne, Piano
1
Voix Tenor, Piano
1
Instrumentations suivantes
Retracter
VENTS
2 Flûtes traversières, Piano
25
2 Saxophones (duo)
9
2 Flûtes traversières (duo)
6
Quatuor de Saxophones: 4 saxophones
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Flûte traversière
3
Flûte et Guitare
3
2 Clarinettes (duo)
3
Flûte, Hautbois, Clarinette, Basson
3
Saxophone, Clarinette (duo)
3
Flûte, Clarinette (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Clarinette et Piano
3
Clarinette
2
Quintette de Saxophone: 5 saxophones
2
Flûte traversière et Piano
2
Saxophone Tenor et Piano
2
Clarinette, Violon (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Hautbois, Flûte
1
Clarinette, Trompette (duo)
1
Ensemble de Flûtes
1
Flûte à bec Tenor
1
Flûte, Violon
1
Hautbois, Basson (duo)
1
Saxophone Alto
1
Cor anglais, Guitare (duo)
1
Saxophone Alto et Piano
1
2 Hautbois (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Guitare (duo)
1
Flûte, Alto (duo)
1
Clarinette et Alto
1
2 Cors Anglais Et Pianoforte
1
Flûte, Trompette (duo)
1
Ensemble de Clarinettes
1
Ensemble de saxophones
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
2 Trombones (duo)
3
Quatuor de cuivres: 4 trombones
3
Trompette, Trombone (duo)
2
Trombone et Piano
2
Trompette, Piano
2
Trompette, Saxophone (duo)
2
Trombone (partie séparée)
2
2 Trompettes (duo)
2
Trompette
2
Euphonium, Piano (duo)
1
Cor anglais, Guitare (duo)
1
Tuba et Piano
1
2 Cors Anglais Et Pianoforte
1
Trombone
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
24
Harpe
11
Violon et Piano
5
Violon, Violoncelle (duo)
5
2 Violons (duo)
5
Violon
4
Violoncelle, Piano
4
2 Violoncelles (duo)
3
2 Altos (duo)
3
Violon, Alto (duo)
3
Violon (partie séparée)
2
Alto, Piano
2
Violoncelle (partie séparée)
2
Trio à Cordes: 3 violoncelles
1
Alto seul
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: violon, alto, violoncelle
1
Violon, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
45
Orchestre à Cordes
15
Orchestre de chambre
10
Orchestre
8
Ensemble de cuivres
7
Jazz combo
4
Ensemble Jazz
4
Marimba
2
Percussion
1
Piano et Orchestre
1
Vibraphone
1
Fanfare
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
of its kind.
Partitions à imprimer
765 partitions trouvées
<
1
26
51
....
751
Ritual Music for Rite of the Anointing (Full/Choral Score)
Cantor, SATB or unison voices, congregation, and keyboard - Easy - Digital Download SKU…
(+)
Cantor, SATB or unison voices, congregation, and keyboard - Easy - Digital Download SKU: MQ.80-905-E Composed by Andrew Witchger. Instrument part. 13 pages. MorningStar Music Publishers - Digital Sheet Music #80-905-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-905-E). One of first of its kind, encourages full active participation by assembly, choir and cantor with memorable melodies, sung prayers, and acclamations for communal anointing rite within Mass.
$2.85
2.66 €
#
Andrew Witchger
#
Ritual Music for Rite of the Anointing
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
En vain j'espere...Idole de ma vie from Robert le diable - Isabelle-Only Audition/Recital Cut
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1107806 Composed by Giacomo …
(+)
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1107806 Composed by Giacomo Meyerbeer. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. Score. 6 pages. Nicole Elyse DiPaolo #710432. Published by Nicole Elyse DiPaolo (A0.1107806). The first of its kind, this is a customized Isabelle-only audition cut of En vain j'espere...Idole de ma vie, from Giacomo Meyerbeer's Robert le diable. In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps and additional page space created by the choral parts when performing this excerpt. The current edition omits those passages and also places a cut in the cabaletta portion, reducing the page count to 6 and creating a cut suitable for a recital or audition environment. All cuts are marked with asterisks in both the voice part and piano reduction. The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), nor have ornaments been added, although the engraving features minor changes from the original edition (eliminating syllabic beaming and re-dividing a few tuplets for easier reading). About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.35 €
#
Piano, Voix
#
Giacomo Meyerbeer
#
Nicole Elyse DiPaolo
#
En vain j'espere...Idole de ma vie from Robert le diable - Isabelle-Only Audition/Recital Cut
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Vous aimez le danger/Ah! que j'aime les militaires from La Grande-Duchesse de Gérolstein - Duchesse
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799618 Composed by Jacqu…
(+)
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5306351. Published by Nicole Elyse DiPaolo (A0.799618). The first of its kind, this is a customized La Duchesse-only audition cut of Vous aimez le danger...Ah! que j'aime les militaires from Jacques Offenbach's La Grande-Duchesse de Gérolstein (1867). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the choral parts when performing this excerpt. The current edition omits those passages and, as a result, noticeably reduces the page count. In addition, this new engraving is remarkably clearer than the existing vocal score, which has deteriorated from age and is cluttered with instrumental cues that may not be relevant to a sight-reading audition pianist.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation and inserting a few logical enharmonic respellings).About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.35 €
#
Jacques Offenbach
#
Nicole Elyse DiPaolo
#
Vous aimez le danger/Ah! que j'aime les militaires from La Grande-Duchesse de Gérolstein - Duchesse
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gi…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.35 €
#
Voix Soprano, Piano
#
Gioachino Rossini
#
Nicole Elyse DiPaolo
#
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Trumpet Folk Fill in the Blank
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.750322 Composed by Traditional. A…
(+)
Trumpet Solo - Level 2 - Digital Download SKU: A0.750322 Composed by Traditional. Arranged by Eddie Lewis. Children,Folk. Individual part. 118 pages. Tiger Music #4984157. Published by Tiger Music (A0.750322). This is the first book of its kind! What began as a fun activity for my trumpet students has turned into a wonderful resource to improve their trumpet playing. Trumpet Folk Fill in the Blank is a book of thirty folk songs and nursery rhymes. Each song is presented first in an easy key, like C, F or G. Then it is transposed to other keys and certain strategic notes are left out. Those notes are replaced by question marks. The students are to practice the first version of the song until they get the sound of the melody in their ears. After they master the first version, then they are ready to play the fill in the blank versions of the songs in other keys. We use a total of seven key signatures in this book, up to three flats and three sharps. Any student who knows their scales up to three flats and three sharps should have a lot of fun playing these fill in the blank songs. Benefits of playing the fill in the blank songs include ear training, finger technique, sight reading, phrasing and tone.
$27.90
26.03 €
#
Trompette
#
Traditional
#
Eddie Lewis
#
Trumpet Folk Fill in the Blank
#
Tiger Music
#
SheetMusicPlus
He's A Pirate
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1042158 Composed by Geoffrey Zanel…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1042158 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Paul Adrian Moldez. Celtic,Classical,Contemporary,Film/TV,Irish. Individual part. 7 pages. Paul Adrian Moldez #646961. Published by Paul Adrian Moldez (A0.1042158). He's a Pirate is a musical theme written by Klaus Badelt for the Pirates of the Caribbean films (Series of adventure films about Pirates, arguably the best of its kind). He's a Pirate is featured at the end of each film and it's the first theme that you'll hear as soon as the credits roll. It takes its name from an interesting line in the film referring to Jack Sparrow He's a pirate!, exclaimed by Weatherby Swan, to which William Turner replies with And a good man!.
$4.99
4.65 €
#
Guitare
#
Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt
#
Paul Adrian Moldez
#
He's A Pirate
#
Paul Adrian Moldez
#
SheetMusicPlus
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
(+)
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,â the show-stopping first aria from Gioachino Rossiniâs famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reductionâwhich was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing daysâpianists may now enjoy playing this aria comfortably, without risking strain/injury. However, itâll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or âfudgedâ with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâve provided.2. Iâve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a âsink or swimâ accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composerâs markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, Iâve noted alternate cuts that singers might like to take within certain arias. 6. In some cases Iâve modernized spelling conventions for easier readability (for example, by replacing âÃâ with âssâ in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. Iâve also replaced some text âcresc.â and âdim.â markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.35 €
#
Gioachino Rossini
#
Nicole Elyse DiPaolo
#
Largo al factotum
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Every Kind Of Way
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1306575 By H.E.R…
(+)
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1306575 By H.E.R. By Darhyl Jr Camper, Gabriella Wilson, and Hue Wayne Strother. Arranged by AZSAP MUSiC. R & B,Soul. 4 pages. AZSAP MUSiC #895928. Published by AZSAP MUSiC (A0.1306575). Product Title: Every Kind of Way by H.E.R. - String Quartet ArrangementProduct Description:Delve into the soulful sounds of Every Kind of Way by H.E.R. with our enchanting string quartet arrangement. This rendition captures the emotional depth and contemporary elegance of the original song, making it a perfect choice for weddings, special events, and performances that seek to convey love and passion through music.Key Features:1. **Soulful Elegance:** Every Kind of Way by H.E.R. is celebrated for its heartfelt lyrics and emotive melody. Our string quartet arrangement pays homage to the song's emotional depth while adding a touch of classical refinement, resulting in a captivating and emotionally charged performance.2. **Versatile Usage:** This arrangement is ideal for various settings, from wedding ceremonies and romantic events to concerts and intimate gatherings, creating an atmosphere of love and passion through the musical performance.3. **Professionally Notated:** Our sheet music is professionally notated, ensuring that each member of your quartet has meticulously crafted parts that harmonize seamlessly, delivering a polished and expressive performance.4. **Room for Artistic Interpretation:** While staying true to the original, our arrangement allows for artistic interpretation, granting your ensemble the freedom to infuse their unique style and emotions into the performance.5. **Instant Digital Download:** Skip the wait for physical sheet music. With digital access, you can instantly download the sheet music, making rehearsal and preparation convenient and efficient.Express the depth of love and passion through Every Kind of Way with your string quartet. This arrangement was thoughtfully designed to bridge the gap between contemporary sentiment and classical sophistication, offering an emotional and elegant musical experience. Order your copy today and embark on a musical journey that resonates with love and passion, leaving a lasting impression on your audience and enhancing the ambiance of your special events.
$12.99
12.12 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
H
#
AZSAP MUSiC
#
Every Kind Of Way
#
AZSAP MUSiC
#
SheetMusicPlus
Bach Chorales for Trombone Quartet Volume 2
Trombone - Level 4 - Digital Download SKU: A0.1079077 Composed by Johann Sebastian …
(+)
Trombone - Level 4 - Digital Download SKU: A0.1079077 Composed by Johann Sebastian Bach. Arranged by Robert Timmers. Baroque,Sacred. 72 pages. Gordon Cherry #683278. Published by Gordon Cherry (A0.1079077). Robert Timmers has beautifully arranged Johann Sebastian Bach's Complete Chorale Harmonizations for Trombone Quartet, Volume 2 (Chorales 146-282). This momentous collection of 434 Chorales in three volumes (volume 1 is published and soon volume 3 as well) taken from Bach's 200-plus cantatas and other choral works is a gift to the Trombone world and a major addition to the repertoire of Trombone Ensembles. This collection is the first of its kind for the instrument. The music is laid out in score format of two systems (tenor and bass) and two coil-bound books of 72 pages are provided for the performers. Appropriate for moderately advanced performers, these chorales are great for working on tonal blend, intonation, style, and phrasing. The digital sound sample below of Chorales 1-5 from Volume 1 will give you a good idea of the beauty of these arrangements for Trombone Quartet. This collection has been dedicated to the late Steve Witser by arranger and former student, Robert Timmers.
$27.50
25.65 €
#
Johann Sebastian Bach
#
Robert Timmers
#
Bach Chorales for Trombone Quartet Volume 2
#
Gordon Cherry
#
SheetMusicPlus
Bach Chorales for Trombone Quartet Volume 3
Quatuor de cuivres: 4 trombones
Trombone Quartet Bass Trombone - Level 4 - Digital Download SKU: A0.1345170 Compose…
(+)
Trombone Quartet Bass Trombone - Level 4 - Digital Download SKU: A0.1345170 Composed by Johann Sebastian Bach. Arranged by Robert Timmers. Baroque. 71 pages. Gordon Cherry #930107. Published by Gordon Cherry (A0.1345170). Robert Timmers has beautifully arranged Johann Sebastian Bach's Complete Chorale Harmonizations for Trombone Quartet, Volume 3 (Chorales 282-434). This momentous collection of 434 Chorales in three volumes taken from Bach's 200-plus cantatas and other choral works is a gift to the Trombone world and a major addition to the repertoire of Trombone Ensembles. This collection is the first of its kind for the instrument.The music is laid out in score format of two systems (tenor and bass clefs) and two coil-bound books of 71 pages are provided for the performers. (The download version is priced less to take into consideration the extra printing costs for 2-4 sets of parts.) Appropriate for moderately advanced performers, these chorales are great for working on tonal blend, intonation, style, and phrasing.The digital sound sample below of Chorales 1-5 from Volume 1 will give you a good idea of the beauty of these arrangements for Trombone Quartet.This collection has been dedicated to the late Steve Witser by arranger and former student, Robert Timmers.
$17.50
16.32 €
#
Quatuor de cuivres: 4 trombones
#
Johann Sebastian Bach
#
Robert Timmers
#
Bach Chorales for Trombone Quartet Volume 3
#
Gordon Cherry
#
SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (A major, medium key)
Medium Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328293 Composed by Ri…
(+)
Medium Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916286. Published by Nicole Elyse DiPaolo (A0.1328293). The first of its kind, and the first entry in the Accessible Accompaniments libraryâs collection of small-hand-optimized song literature publications, this is Richard Straussâs beloved âZueignung,â from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. âSmallâ is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Booseyâs excellent small-hand edition of Frank Bridgeâs âLove Went A-Ridingâ (erroneously labeled âsimplifiedâ on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Straussâs op. 10 collection is much more widespread on todayâs concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Straussâs songs are often so orchestral in spiritâmuch more so than the Bridgeâthat the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Straussâs beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henleâs edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompanimentsâ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you donât see the key that you need. As the name says, Accessible Accompaniments is committed to accessibilityâand that goes for singers, too!
$6.95
6.48 €
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (F major, extra-low key)
Voix basse, Piano
Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328390 Composed by Richa…
(+)
Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328390 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916380. Published by Nicole Elyse DiPaolo (A0.1328390). The first of its kind, and the first entry in the Accessible Accompaniments libraryâ??s collection of small-hand-optimized song literature publications, this is Richard Straussâ??s beloved â??Zueignung,â? from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. â??Smallâ? is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Booseyâ??s excellent small-hand edition of Frank Bridgeâ??s â??Love Went A-Ridingâ? (erroneously labeled â??simplifiedâ? on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Straussâ??s op. 10 collection is much more widespread on todayâ??s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Straussâ??s songs are often so orchestral in spiritâ??much more so than the Bridgeâ??that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Straussâ??s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henleâ??s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompanimentsâ?? distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you donâ??t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibilityâ??and that goes for singers, too!
$6.99
6.52 €
#
Voix basse, Piano
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (G major, low key)
Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328327 Composed by Richa…
(+)
Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328327 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916320. Published by Nicole Elyse DiPaolo (A0.1328327). The first of its kind, and the first entry in the Accessible Accompaniments libraryâs collection of small-hand-optimized song literature publications, this is Richard Straussâs beloved âZueignung,â from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. âSmallâ is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Booseyâs excellent small-hand edition of Frank Bridgeâs âLove Went A-Ridingâ (erroneously labeled âsimplifiedâ on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Straussâs op. 10 collection is much more widespread on todayâs concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Straussâs songs are often so orchestral in spiritâmuch more so than the Bridgeâthat the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Straussâs beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henleâs edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompanimentsâ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you donât see the key that you need. As the name says, Accessible Accompaniments is committed to accessibilityâand that goes for singers, too!
$6.95
6.48 €
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Rich…
(+)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments libraryâs collection of small-hand-optimized song literature publications, this is Richard Straussâs beloved âZueignung,â from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. âSmallâ is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Booseyâs excellent small-hand edition of Frank Bridgeâs âLove Went A-Ridingâ (erroneously labeled âsimplifiedâ on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Straussâs op. 10 collection is much more widespread on todayâs concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Straussâs songs are often so orchestral in spiritâmuch more so than the Bridgeâthat the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Straussâs beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henleâs edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompanimentsâ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you donât see the key that you need. As the name says, Accessible Accompaniments is committed to accessibilityâand that goes for singers, too!
$6.99
6.52 €
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
GOD OF MY LIFE, THROUGH ALL ITS DAYS - H. A. C. MALAN (HYMN - EASY ORGAN)
Orgue
Organ - Level 3 - Digital Download SKU: A0.804740 Composed by HENRY ABRAHAM CESAR M…
(+)
Organ - Level 3 - Digital Download SKU: A0.804740 Composed by HENRY ABRAHAM CESAR MALAN. Arranged by Juliano Music. 20th Century,Folk,Sacred,Standards. Score. 3 pages. Juliano Alessandro Molteni #6439009. Published by Juliano Alessandro Molteni (A0.804740). MY EASY ARRANGEMENT OF THE HYMN GOD OF MY LIFE, THROUGH ALL ITS DAYS BY H. A. C. MALAN.VERSION FOR ORGAN, WITHOUT THE PEDALBOARD LINE.---COPYRIGHTED AND SIGNED BY ORIGINAL TEMPORAL CONTENT MARKING--JAM MUSIC APPROACH is the easy way to approach a song. Musicians of every kind deserve the possibility to experience and to be at ease with their improving performance.ENJOY!!
$1.99
1.86 €
#
Orgue
#
HENRY ABRAHAM CESAR MALAN
#
Juliano Music
#
GOD OF MY LIFE, THROUGH ALL ITS DAYS - H. A. C. MALAN
#
Juliano Alessandro Molteni
#
SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Rich…
(+)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments libraryâs collection of small-hand-optimized song literature publications, this is Richard Straussâs beloved âZueignung,â from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. âSmallâ is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Booseyâs excellent small-hand edition of Frank Bridgeâs âLove Went A-Ridingâ (erroneously labeled âsimplifiedâ on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Straussâs op. 10 collection is much more widespread on todayâs concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Straussâs songs are often so orchestral in spiritâmuch more so than the Bridgeâthat the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Straussâs beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henleâs edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompanimentsâ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you donât see the key that you need. As the name says, Accessible Accompaniments is committed to accessibilityâand that goes for singers, too!
$6.95
6.48 €
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Kind
Vibraphone
Vibraphone Solo - Level 4 - Digital Download SKU: A0.1253613 Composed by Walker Mar…
(+)
Vibraphone Solo - Level 4 - Digital Download SKU: A0.1253613 Composed by Walker Martz. 21st Century,Contemporary,Contest,Festival. Individual part. 5 pages. T.U.X. People's Music #847254. Published by T.U.X. People's Music (A0.1253613). Walker Martz's achingly beautiful mallet percussion work Kind explores four-mallet technique within the simplicity of its longing harmonies and melodies, in a fully accessible format perfect for your student's next solo performance!
$16.00
14.93 €
#
Vibraphone
#
Walker Martz
#
Kind
#
T.U.X. People's Music
#
SheetMusicPlus
Kind
Marimba
Marimba Solo - Level 4 - Digital Download SKU: A0.1253452 Composed by Walker Martz.…
(+)
Marimba Solo - Level 4 - Digital Download SKU: A0.1253452 Composed by Walker Martz. 21st Century,Contemporary,Contest,Festival. Individual part. 9 pages. T.U.X. People's Music #847132. Published by T.U.X. People's Music (A0.1253452). Walker Martz's achingly beautiful mallet percussion work Kind explores four-mallet technique within the simplicity of its longing harmonies and melodies, in a fully accessible format perfect for your student's next solo performance!
$15.00
13.99 €
#
Marimba
#
Walker Martz
#
Kind
#
T.U.X. People's Music
#
SheetMusicPlus
"Or la tromba in suon festante" from Handel's "Rinaldo"
Small Ensemble High Voice,Medium Voice,Piano Accompaniment,Trumpet - Digital Download S…
(+)
Small Ensemble High Voice,Medium Voice,Piano Accompaniment,Trumpet - Digital Download SKU: A0.904699 Composed by George Frideric Handel. Arranged by Matthew Ryan Ross. Baroque,Opera. Score and parts. 5 pages. Matthew Ryan Ross #3364749. Published by Matthew Ryan Ross (A0.904699). Rinaldo (HWV 7) is an opera by George Frideric Handel, composed in 1711, and was the first Italian language opera written specifically for the London stage. The libretto was prepared by Giacomo Rossi from a scenario provided by Aaron Hill, and the work was first performed at the Queen's Theatre in London's Haymarket on 24 February 1711. The story of love, war and redemption, set at the time of the First Crusade, is loosely based on Torquato Tasso's epic poem Gerusalemme liberata (Jerusalem Delivered), and its staging involved many original and vivid effects. It was a great success with the public, despite negative reactions from literary critics hostile to the contemporary trend towards Italian entertainment in English theatres.This aria, from Act III of the original 1711 production, is arranged for trumpet, piano, and voice, this arrangement embodies the full orchestral feel of Handel's famous aria as well as creating the most efficient performance mark up for the voice. This arrangement is the only one in existence of its kind and is sure to make an amazing addition to your vocal performance repertoire whether you are an aspiring student or a seasoned opera vocalist.
$3.99
3.72 €
#
George Frideric Handel
#
Matthew Ryan Ross
#
"Or la tromba in suon festante" from Handel's "Rinaldo"
#
Matthew Ryan Ross
#
SheetMusicPlus
Zap!
Large Ensemble Cello,Double Bass,Drum Set,Guitar,High Voice,Low Voice,Piano,Xylophone - Le…
(+)
Large Ensemble Cello,Double Bass,Drum Set,Guitar,High Voice,Low Voice,Piano,Xylophone - Level 5 - Digital Download SKU: A0.1013064 Composed by Christine Southworth. 20th Century,Contemporary. Score and parts. 61 pages. Airplane Ears Music #5802121. Published by Airplane Ears Music (A0.1013064). Zap! (2005, 45 minutes) for Van de Graaff Generator, Lyricon, voices, guitar, cello, bass, percussion, piano, robotic xylophone and electronics. The sound of electricity at its rawest and most majestic - sparks, booms, lightning bolts, sizzling corona and low hums from giant motors - intermingle with the sounds of cello, bass, guitar, piano, clarinets, percussion and voice. Christine Southworth created Zap! in 2004 to explore these possibilities, using the Boston Museum of Science's Theater of Electricity as her venue and instrument. Its centerpiece - MIT Professor Robert Van de Graaff's eponymous Generator, was born in 1931 as one of the world's largest atom smashers. It is still the largest of its kind in the world, standing forty-feet tall and producing up to 1.5 million volts of electricity. Zap!, a composition in seven parts, takes the sounds of this machine, two large Tesla Coils, and a Jacob's Ladder, merged with rock rhythms and sweet melodies performed by Robert Black, David Cossin, Felix Fan, Philippa Thompson, Eddie Whalen, & Evan Ziporyn. The resulting music is ... electrifying!Premiered February 4, 2005 at Boston Museum of Science by Ensemble Robot, Jeff Lieberman (guitar), Blake Newman (bass), Sachi Sato (keyboard), Mei-mi Lin (keyboard), Akili Haynes (percussion, voice), Erik Nugent (Lyricon, voice), Rebecca Zook (cello), Christine Southworth (voice, Van de Graaff controls), Leila Hasan (Van de Graaff controls), Giles Hall (robot controls).About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$20.00
18.66 €
#
Christine Southworth
#
Evan Ziporyn
#
Zap!
#
Airplane Ears Music
#
SheetMusicPlus
CANE: Bassoon Concerto with Reed Quintet
Small Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Oboe - Level 5 - Digital Download S…
(+)
Small Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Oboe - Level 5 - Digital Download SKU: A0.918692 Composed by Jenni Brandon. Contemporary. Score and parts. 185 pages. Jenni Brandon Music #6451541. Published by Jenni Brandon Music (A0.918692). The first concerto of its kind, CANE: Bassoon Concerto with Reed Quintet (Oboe, B-Flat Clarinet, Saxophone, Bass Clarinet, Bassoon) by Jenni Brandon tells a dramatic story of one bassoon reedâs journey from its origins as raw, organic cane, to the final joy of playing on the finished reed. The colors of the reed quintet and the virtuosic solo bassoon intermingle in this through-composed piece to take the listener through this vivid experience. Rhythm, lyrical lines, extended techniques, Afro-Cuban style music, jazz and fugue join together to remind us that this is an organic process. From making reeds to making music, we come together to create performance. Ever changing and ever evolving, every reed and every performance is unique, and Cane promises to tell this story in a powerful and exciting new way. Co-Commissioned by the Akropolis Reed Quintet and Dr. Christin Schillinger.There are several sections in this through-composed work, taking us on a journey that is the life of a bassoon reed: I. Split: short and percussive, like splitting cane II. Gouge: Rhythmic, steady and driving. Removing and leaving⦠III. Shape IV. Profile: Mechanical, with a little bit of mischief V. Form: The cane becomes a reed (Internal/external sounds of transition) VI. Scrape: In the style of Afro-Cuban music VII. Playing the reed: Swing, sassy; thoughtful, reflective; with reverence; the reed playsâ¦Duration approximately 24 minutes
$80.00
74.63 €
#
Jenni Brandon
#
CANE: Bassoon Concerto with Reed Quintet
#
Jenni Brandon Music
#
SheetMusicPlus
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Compose…
(+)
Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,â Dorabellaâs first aria from Mozartâs Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, Iâve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative âAh, scostati!â is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition thatâs not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who donât know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know âSmanieâ well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or âfudgedâ with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâve provided.2. Iâve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a âsink or swimâ accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâs markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, Iâve noted alternate cuts that singers might like to take within certain arias.6. Iâve also replaced text âcresc.â and âdim.â markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.35 €
#
Wolfgang Amadeus Mozart
#
Nicole Elyse DiPaolo
#
Ah, scostati!...Smanie implacabili
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâve provided.2. Iâve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâs markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, Iâve included the next downbeatâs notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, Iâve noted alternate cuts that singers might like to take within certain arias.6. In some cases Iâve modernized spelling conventions for easier readability (for example, by replacing à with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
13.01 €
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
(+)
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâve provided.2. Iâve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâs markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, Iâve included the next downbeatâs notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, Iâve noted alternate cuts that singers might like to take within certain arias.6. In some cases Iâve modernized spelling conventions for easier readability (for example, by replacing à with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.21 €
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
<
1
26
51
....
751
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
